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Near Set Dailies

THE DEFACTO STANDARD
Used in leading facilities such as EFILM, Laser Pacific, Company 3, and Disney Studios as their in house dailies workhorse, Scarab Digital adds Colorfront's On Set Dailies (OSD) Systems to complete our lineup of dailies solutions with Creative Science's joint fleet. Rated as the fastest systems on the market, OSD offers a formidable configurable a la carte solution.
DAILIES
Scarab's ability to utilize file-based media allows productions to receive their deliverables faster than real-time compared with larger tape-based facilities. That means lower productions costs!
       



ARRI ALEXA

Favored amongst many DPs for its dynamic range and by Producers for its cost saving post capability, ARRI's latest technical achievement offers productions a multitude of workflow options.
ARRI RAW

Scarab was the first facility in Vancouver able to process ARRI RAW, the only true anamorphic digital format suited ideally for productions requiring flexibility in post and/or option for Film Out.

APPLE PRO RES

With options of recording 4:4:4 of 4:2:2 colour space, the Apple Pro Res HQ codec has become a widely accepted finishing format for television and commercial productions.
ARRAY OF OPTIONS

If you prefer another workflow, Scarab Digital offers an array of options, including Assimilate SCRATCH and DAVINCI Resolve, allowing you to pick the solution that's best for your production. Scarab is familiar with all digital workflows, including Phantom and Red.
ASSIMILATE SCRATCH

Scarab is the only facility in Vancouver able to process ARRI RAW, the only true anamorphic digital format suited ideally for productions requiring flexibility in post and/or option for Film Out.

DAVINCI RESOLVE

With options of recording 4:4:4 of 4:2:2 colour space, the Apple Pro Res HQ codec has become a widely accepted finishing format for television and commercial productions.



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